By Kai-cheung Dung,Anders Hansson,Bonnie S. McDougall
Set within the long-lost urban of Victoria (a fictional international just like modern day Hong Kong), Atlas is written from the unified viewpoint of destiny archaeologists suffering to rebuild an exciting city. Divided into 4 sections—theory,” the city,” streets,” and signs”—Dung’s novel reimagines Victoria via maps and different ancient records and artifacts, very similar to Italo Calvino’s, Jorge Luis Borges’s, and Paul Auster’s quasi-fictional adventures in map-reading and remapping. blending real-world eventualities with in simple terms invented humans and occasions, and incorporating anecdote and genuine and fictional social remark and critique, Dung’s novel demanding situations the illustration of position and heritage and the boundaries of technical and clinical media in reconstructing that background. twiddling with a number of types and topics, Dung creatively engages with the destiny of Hong Kong because its British handover” in 1997, which formally marked the tip of colonial rule and the start of an uncharted future.
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Atlas: The Archaeology of an Imaginary City (Weatherhead Books on Asia) by Kai-cheung Dung,Anders Hansson,Bonnie S. McDougall